Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Here are all the paintings of Jules Breton 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
208 Brittany Girl Jules Breton Brittany Girl 1872 Denison University, Granville
69642 Dawn Jules Breton Dawn oil on canvas painting by Jules Breton, 1896, Carnegie Museum of Art, Pittsburgh
51859 Dleaners at Sunset Jules Breton Dleaners at Sunset mk221 1863 Oil on canvas 81.9x127cm
31061 La Benediction des bles en Artois Jules Breton La Benediction des bles en Artois mk71 1857 Toile H.1.26 L.3.20 Musee des Beaux-Arts d'Arras
31062 La Glaneuse Jules Breton La Glaneuse mk71 1877 Toile H.2.30 L.1.24 Musee des Beaux-Arts d'Arras
210 The Communicants Jules Breton The Communicants 1884
58282 The End of the Working Day Jules Breton The End of the Working Day The End of the Working Day
11053 The Recall of the Gleaners Jules Breton The Recall of the Gleaners 1859(Salon of 1859) 2' 11 1/2'' x 5' 9 1/4''(90x176cm) MI 289
209 The Song of the Lark Jules Breton The Song of the Lark 1884 The Art Institute of Chicago
58281 The Song of the Lark Jules Breton The Song of the Lark The Song of the Lark Oil on canvas, 1884
211 The Vintage at the Chateau Lagrange Jules Breton The Vintage at the Chateau Lagrange Joslyn Art Museum, Omaha
76730 The Weeders, oil on canvas painting by Metropolitan Museum of Art Jules Breton The Weeders, oil on canvas painting by Metropolitan Museum of Art The Weeders, oil on canvas painting by Metropolitan Museum of Art, 1868, Metropolitan Museum of Art. cjr
91908 The Wounded Sea Gull Jules Breton The Wounded Sea Gull 1878(1878) Medium oil on canvas Dimensions 36 1/2 x 30 3/8 in. (92.7 x 77.2 cm) cjr
80205 Weeders Jules Breton Weeders oil on canvas painting by Metropolitan Museum of Art, 1868, Metropolitan Museum of Art Date 1868(1868) cyf

Jules Breton
1827-1906 French Jules Breton Locations French painter and writer. After the death of his mother he was brought up in the village of Courrires by his father, grandmother and uncle. The last instilled in him respect for tradition and a commitment to the philosophical ideas of the 18th century. Breton father, as supervisor of the lands of the Duc de Duras, encouraged him to develop a deep knowledge of and affection for his native region and its heritage, which remained central to his art.
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